Run make format on the manual

git-svn-id: svn://localhost/ardour2/branches/2.0-ongoing@3257 d708f5d6-7413-0410-9779-e7cbd77b26cf

1 files changed, 60 insertions, 54 deletions

diff --git a/manual/xml/setting_up_to_record.xml b/manual/xml/setting_up_to_record.xml
index dca9b07bfe..43ca3950b3 100644
--- a/manual/xml/setting_up_to_record.xml
+++ b/manual/xml/setting_up_to_record.xml
@@ -39,85 +39,90 @@
   <section id="setup-monitoring">
     <title>Monitoring</title>
     <para>
-      While monitoring is a broad term, here we use it to refer to the 
-      signal a track delivers to its channel for further processing.
-      There are two available monitoring states.
-      These are 
-      'input' (the signal being delivered to a track for potential recording), and 
-      'off-disk' (material you have already recorded, or silence in the absence of a region).
+      While monitoring is a broad term, here we use it to refer to the
+      signal a track delivers to its channel for further processing. There
+      are two available monitoring states. These are 'input' (the signal
+      being delivered to a track for potential recording), and 'off-disk'
+      (material you have already recorded, or silence in the absence of a
+      region).
     </para>
   </section>
 
   <section id="setup-hardware-monitoring">
     <title>Hardware Monitoring</title>
     <para>
-      Some multichannel audio interfaces have the ability to route an input signal 
-      directly to an output with very low or no latency. This is useful if your computer hardware 
-      is connected to the tape sends and returns of a mixing console. 
-      Whenever monitoring is set to input on a track, the track's input port is connected to its 
-      output in hardware (as would happen on a multitrack tape recorder). 
-      Hardware monitoring provides the best quality assurance for an engineer, as the signal path 
-      is exactly the same for input and off-disk monitoring. 
-      Level differences can be heard immediately, as can other gremlins that may ruin your recording. 
-      The hardware monitoring setting is only useful for interfaces supporting this feature.
+      Some multichannel audio interfaces have the ability to route an input
+      signal directly to an output with very low or no latency. This is
+      useful if your computer hardware is connected to the tape sends and
+      returns of a mixing console. Whenever monitoring is set to input on a
+      track, the track's input port is connected to its output in hardware
+      (as would happen on a multitrack tape recorder). Hardware monitoring
+      provides the best quality assurance for an engineer, as the signal
+      path is exactly the same for input and off-disk monitoring. Level
+      differences can be heard immediately, as can other gremlins that may
+      ruin your recording. The hardware monitoring setting is only useful
+      for interfaces supporting this feature.
     </para>
   </section>
-  
+
   <section id="setup-software-monitoring">
     <title>Software Monitoring</title>
     <para>
-      Software monitoring uses software to perform input monitoring.
-      When set to monitor input, a tracks input signal is passed to its channel 
-      as if it were coming from disk, allowing plugins to be heard while recording.
-      This introduces an inevitable processing delay, or latency, to the input signal. 
-      The size of the delay depends on the current JACK configuration, which should 
-      be set to as short as possible while recording. 
+      Software monitoring uses software to perform input monitoring. When
+      set to monitor input, a tracks input signal is passed to its channel
+      as if it were coming from disk, allowing plugins to be heard while
+      recording. This introduces an inevitable processing delay, or latency,
+      to the input signal. The size of the delay depends on the current JACK
+      configuration, which should be set to as short as possible while
+      recording.
     </para>
   </section>
-  
+
   <section id="setup-latency">
     <title>Latency</title>
     <para></para>
   </section>
-  
+
   <section id="setup-external-monitoring">
     <title>External Monitoring</title>
     <para>
-      External Monitoring will silence the output of a track whenever the track is set 
-      to monitor input. It is useful if you are listening to the input signal
-      using a path outside your computer (eg a mixing console). 
+      External Monitoring will silence the output of a track whenever the
+      track is set to monitor input. It is useful if you are listening to
+      the input signal using a path outside your computer (eg a mixing
+      console).
     </para>
   </section>
-  
+
   <section id="tape-machine-mode">
     <title>Tape Machine Mode</title>
     <para>
-      Nearly all traditional tape recorders use the same monitoring model. 
-      Normally only tracks that are record-enabled will monitor input with the 
-      transport stopped. 
-      Tape machine mode emulates this behaviour.
-      Some simpler machines (like a famous product by Alesis) switch all tracks to 
-      input on stop when auto-input is enabled, regardless of record-enable state.
-      Disabling Tape Machine Mode switches to a behaviour that mimics this type of recorder.
-      Be warned that if you disable Tape Machine Mode, many tracks sharing the same input 
-      (in software monitoring mode) will sum that input through the master buss 
-      (potentially including several plugins) whenever the transport is stopped. 
-      Since setting up a sound usually involves listening to the input with the transport 
-      stopped, you might not be hearing the sound you are about to record!
-      Disabling this mode can also lead to surprising acoustic feedback.
-      Tape Machine Mode is off by default.
+      Nearly all traditional tape recorders use the same monitoring model.
+      Normally only tracks that are record-enabled will monitor input with
+      the transport stopped. Tape machine mode emulates this behaviour. Some
+      simpler machines (like a famous product by Alesis) switch all tracks
+      to input on stop when auto-input is enabled, regardless of
+      record-enable state. Disabling Tape Machine Mode switches to a
+      behaviour that mimics this type of recorder. Be warned that if you
+      disable Tape Machine Mode, many tracks sharing the same input (in
+      software monitoring mode) will sum that input through the master buss
+      (potentially including several plugins) whenever the transport is
+      stopped. Since setting up a sound usually involves listening to the
+      input with the transport stopped, you might not be hearing the sound
+      you are about to record! Disabling this mode can also lead to
+      surprising acoustic feedback. Tape Machine Mode is off by default.
     </para>
   </section>
 
   <section id="setup-auto-input">
     <title>Auto-Input</title>
     <para>
-      When a track is record-enabled, it is set to monitor input
-      regardless of the transport state. Auto input switches to off-disk monitoring 
-      when play is engaged. When Ardour is actually recording, the track will be set to 
-      monitor input again. 
-      Auto-Input is useful for performing punch-ins. Disable auto-input when performing 
-      'dry runs' of an overdub to allow a performer to hear themselves while the transport is rolling.
+      When a track is record-enabled, it is set to monitor input regardless
+      of the transport state. Auto input switches to off-disk monitoring
+      when play is engaged. When Ardour is actually recording, the track
+      will be set to monitor input again. Auto-Input is useful for
+      performing punch-ins. Disable auto-input when performing 'dry runs' of
+      an overdub to allow a performer to hear themselves while the transport
+      is rolling.
     </para>
   </section>
 
@@ -262,12 +267,13 @@
   <section id="setup-punch-recording">
     <title>Punch Recording</title>
     <para>
-      Once you have recorded material onto a track, the simplest way to punch in 
-      (or drop in as it is known elsewhere) is to roll the transport and press the 
-      master record button at the desired in point. Assuming the desired track is 
-      record enabled, its monitoring state will be switched and recording will begin.
-      Pressing it again disengages record. 
-      If repeatable punch-ins are required, you may use auto punch.
+      Once you have recorded material onto a track, the simplest way to
+      punch in (or drop in as it is known elsewhere) is to roll the
+      transport and press the master record button at the desired in point.
+      Assuming the desired track is record enabled, its monitoring state
+      will be switched and recording will begin. Pressing it again
+      disengages record. If repeatable punch-ins are required, you may use
+      auto punch.
     </para>
   </section>