1 files changed, 0 insertions, 62 deletions
diff --git a/DOCUMENTATION/CONTRIBUTORS b/DOCUMENTATION/CONTRIBUTORS
deleted file mode 100644
index d4b3f441c0..0000000000
--- a/DOCUMENTATION/CONTRIBUTORS
+++ /dev/null
@@ -1,62 +0,0 @@
-In addition to those listed in the AUTHORS file, the following people
-are among those who offered financial support, design insights and
-ideas, encouragement, feedback, bug reports and much more during
-Ardour's pre-release development. They generally suffered from days of
-frustration, and withstood hundreds of CVS revisions without
-complaint. 
-
-No thanks or praise is sufficient for their contributions to Ardour.
-
-(in no particular order)
-
-Joe Hartley
-Marek Peteraj
-Ryan Gallagher
-Rob Holland
-Jan Depner
-Bryan Koschmann
-Patrick Shirkey
-Rob Fell
-Ant <avan@uwm.edu>
-Chris Ross
-Joshua Pritikin
-Rohan Drape
-Johan De Groote
-Bob Ham
-Petter Sundlöf
-
-I would particularly like to recognize:
-
-Frank Carmickle
-       - first financial supporter of Ardour, 
-         instigator of ardour/ksi.
-
-Ron Parker (Minneapolis, MN)
-       - first user of Ardour in a commercial studio,
-         financial contributor, major initiator of
-         MTC and MMC functionality.
-
-DuWayne Holsbeck
-       - an early financial and infrastructure sponsor
-
-Havoc Pennington & Owen Taylor 
-       - provided much assistance in understanding, diagnosing and
-         cajoling GTK+.
-
-Tom Pincince (Shasta, CA)
-       - provided continuous, excellent design insights and
-         rationalizations, as well as info on the operation of some
-         existing DAW's.
-
-I would also like to thank Jim Hamilton of Rittenhouse Recording,
-Philadelphia, for the partnership, friendship and foresight he showed
-in allowing me to use the studio as the development basis for
-Ardour. I met Jim playing a jazz drumkit at a fundraiser to celebrate
-the 30th anniversary of our children's nursery school. Since then, he
-has continued to open my eyes to both music itself, the process of
-making music, and the life of a working musician. Jim's the best and
-most inventive percussionist I have ever seen, and one of the best
-I've ever heard. He has always believed in the social and philosphical
-implications of Ardour, and his support and interest have been vital
-in Ardour's development. Although as of this writing, Rittenhouse
-Recording is not running Ardour, its only a matter of time!